Electronic Music

When a key is pressed the tape head contacts the moving tape and plays a sound. The Mellotron was the most notable model, used by many groups in the late 1960s and the 1970s, but such systems were expensive and heavy due to the multiple tape mechanisms involved, and the range of the instrument was limited to three octaves at the most. To change sounds a new set of tapes had to be installed in the instrument. After the arrival of punk rock, a form of basic electronic rock emerged, increasingly using new digital technology to replace other instruments. The American duo Suicide, who arose from the punk scene in New York, utilized drum machines and synthesizers in a hybrid between electronics and punk on their eponymous 1977 album. Simultaneously in San Francisco, composer Stan Shaff and equipment designer Doug McEachern, presented the first “Audium” concert at San Francisco State College , followed by work at the San Francisco Museum of Modern Art , conceived of as in time, controlled movement of sound in space.

Electronic Adjective

An important technological development of that year was the invention of the Clavivox synthesizer by Raymond Scott with subassembly by Robert Moog. They were almost solely responsible for the electronics revolution of the first half of the twentieth century. They allowed for vastly more complicated systems and gave us radio, television, phonographs, radar, long-distance telephony and much more. They played a leading role in the field of microwave and high power transmission as well as television receivers until the middle of the 1980s. Vacuum tubes are still used in some specialist applications such as high power RF amplifiers, cathode ray tubes, specialist audio equipment, guitar amplifiers and some microwave devices.

Japanese Electronic Music

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"From at least Louis and Bebbe Barron's soundtrack for The Forbidden Planet onwards, electronic music—in particular synthetic timbre—has impersonated alien worlds in film" (Norman 2004, p. 32). Other recent developments included the Tod Machover composition Begin Again Again for "hypercello", an interactive system of sensors measuring physical movements of the cellist. Max Mathews developed the "Conductor" program for real-time tempo, dynamic, and timbre control of a pre-input electronic score. Morton Subotnick released a multimedia CD-ROM All My Hummingbirds Have Alibis.

Xenakis used computers to compose pieces like ST/4 for string quartet and ST/48 for orchestra , Morsima-Amorsima, ST/10, and Atrées. He developed the computer system UPIC for translating graphical images into musical results and composed Mycènes Alpha with it. The avant-garde collective Jikken Kōbō , founded in 1950, was offered access to emerging audio technology by Sony. The company hired Toru Takemitsu to demonstrate their tape recorders with compositions and performances of electronic tape music. The first electronic tape pieces by the group were "Toraware no Onna" ("Imprisoned Woman") and "Piece B", composed in 1951 by Kuniharu Akiyama. Many of the electroacoustic tape pieces they produced were used as incidental music for radio, film, and theatre.

Electronic

Twelve speakers surrounded the audience, four speakers were mounted on a rotating, mobile-like construction above. In an SFMOMA performance the following year , San Francisco Chronicle music critic Alfred Frankenstein commented, "the possibilities of the space-sound continuum have seldom been so extensively explored". In 1967, the first Audium, a "sound-space continuum" opened, holding weekly performances through 1970. In 1975, enabled by seed money from the National Endowment for the Arts, a new Audium opened, designed floor to ceiling for spatial sound composition and performance. Musique concrète was introduced to Japan by Toshiro Mayuzumi, who was influenced by a Pierre Schaeffer concert.

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The first means of recording and reproducing audio was invented in the late 19th century with the mechanical phonograph. Record players became a common household item, and by the 1920s composers were using them to play short recordings in performances. Electronic systems design deals with the multi-disciplinary design issues of complex electronic devices and systems, such as mobile phones and computers.

In 1980, Yamaha eventually released the first FM digital synthesizer, the Yamaha GS-1, but at an expensive price. In 1983, Yamaha introduced the first stand-alone digital synthesizer, the DX7, which also used FM synthesis and would become one of the best-selling synthesizers of all time. The DX7 was known for its recognizable bright tonalities that was partly due to an overachieving sampling rate of 57 kHz. Some synth-pop bands created futuristic visual styles of themselves to reinforce the idea of electronic sounds were linked primarily with technology, as Americans Devo and Spaniards Aviador Dro.